Guitar Duo
McClelland Cousté Duo
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A compilation of previously recorded works for two guitars as well as three new performances by the McClelland Cousté Duo. This album features original compositions by some of the foremost guitarist-composers in the history of the instrument
| 1 |
Divertimento McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
2:42 |
| 2 |
Variazioni Concertanti, Opus 130: Introducion, Tema e Variazioni McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
11:12 |
| 3 |
Nocturne, Opus 37 McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
3:04 |
| 4 |
Imagens do Nordeste McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
5:34 |
| 5 |
Sambinha McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
2:06 |
| 6 |
Micro Piezas (Hommage à Darius Milhaud): I. Tranquillo McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
1:04 |
| 7 |
Micro Piezas (Hommage à Darius Milhaud): II. Allegro vivace McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
1:38 |
| 8 |
Micro Piezas (Hommage à Darius Milhaud): III. Vivacissimo Muy Ritmico McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
1:02 |
| 9 |
Micro Piezas (Hommage à Darius Milhaud): IV. Andantino McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
1:26 |
| 10 |
Suite Latina: I. Milonga al Sur McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
3:24 |
| 11 |
Suite Latina: II. Coroto McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
1:56 |
| 12 |
Suite Latina: III. Canción McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
1:49 |
| 13 |
Suite Latina: IV. Bossa Nova McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
2:19 |
| 14 |
Suite Latina: V. Son McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
3:14 |
| 15 |
Suite Latina: VI. Bambuco McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
2:16 |
| 16 |
Milonga McClelland Cousté Duo, Vincea McClelland, Raymond Cousté |
3:41 |
The McClelland Cousté Duo, one of the longest-standing guitar duos on the international scene, has appeared in concert across five continents, from the Beijing Concert Hall to the Teatro Juan de Vera in Argentina, from the historic Sainte Chapelle in Paris to the National Gallery of Canada in Ottawa. Praised by critics and the public alike, the two artists have acquired a reputation for unique programming which appeals to a wide audience. "Very clean and musical...An enjoyable international tour of guitar music" GUITAR FOUNDATION OF AMERICA
